The Tapestry Handbag Weaves A Story
Vintage Tapestry Handbags & Purses
By Carol Dubilo
The continuing evolution of handbags started centuries ago when men carried
the first purses. However, it wasn't long before women's necessities were
crowding their pockets. Their hand fan, snuff bottle, smelling salts, hair
accessories, handkerchief and prayer book all caused unsightly bulges to their
shapely curves. The solution to this disturbing dilemma has resulted in an
unending entourage of every sort of purse imaginable.
By the 1800s, hand
woven tapestry handbags became an integral part of fashion. This era saw some of
the greatest French tapestries produced and the introduction of many new colors
for dyeing wool and silk threads. Master weavers worked on low warp looms over
life-size tapestry models (large paintings or drawings), called "cartoons."
Weavers placed these paintings or drawings under their looms and copied them as
they worked. Master weavers were talented enough to copy them by eye. This time
consuming and meticulous, labor-intensive work took months or even years to
produce a significant piece.
Occasionally, more than one artist was assigned
to a project.
One of the earliest areas for weaving tapestries is the world
renowned town of Aubusson, in central France, located on the banks of the River
Creuse. The French figural and scenic Aubusson tapestry handbags from the 1800s
are acclaimed as the most luxurious created. Their detailed intricacies appear
to tell a fascinating story. Various examples boast elaborate figures, dressed
in period clothing, engaged in romantic stances and embraces. Many incorporate
birds and animals while others depict serenades with musical instruments.
Colorful garden extravaganzas and countryside scenes with castles were
illustrated, as well as simpler floral arrangements. Each side of these purses
presents a different theme, all depicting French ambiance.
bags expressed the personality of the aristocratic ladies and made for an
outstanding choice in diversifying wardrobe accessories. Typically, social
standing and class distinctions accounted for the differences between who
carried the more complex sophisticated tapestry bag and its simpler yet elegant
The quality of the Aubusson is so superior that these purses
reign supreme in a category all their own. In addition to their obvious allure,
these handbags are often crowned with the most magnificent of decorated purse
frames. Many are stamped "made in France," or they carry an impressed metal
maker's company mark.
Frames were lavished with semi-precious stones, pearls,
enameling, cameos, glass jewels and faux adornments. Many were cast in heavy
embossed sterling silver with deep repousse workmanship, others of quality
silver plate or 800 parts silver, often flaunting whimsical cherubs, winged
creatures or mythological characters. The much-admired Aubusson tapestry
handbags are recognized as true works of art and deservingly so.
changed, hand weaving tapestry took a back door to the machine woven examples of
the 1930s,' 40s and '50s. Designer tapestry bags were made in France for
companies like Walborg. During this era, the French maintained their position in
the forefront of tapestry handbags by continuing to produce what is considered
the best from that time. The romantic portraits and countryside scenes
maintained their popularity with the best styles having different figural poses
on each side. Frames were primarily embossed brass, and a few had stones or
other embellishments. Some were plated, celluloid, Lucite or of similar
In America, the 1950s furnished tapestry from Theodore of
California and JR (Julius Resnick) produced a variety, some with plastic
interior dividers. La Marquise used both Italian and French tapestry, some
having vinyl linings and zippered interior pockets. Austria, West Germany and
the Asian communities all manufactured vintage tapestry bags, but none have even
come close to the qualities of the French examples, making them the most desired
tapestry bags in the marketplace today.
Dating the tapestry purse can
sometimes be a challenge for the novice. Many times, tapestry bags were
constructed from earlier tapestry cloth; other pieces of tapestry were designed
specifically for handbags. The purse's frame does often indicate the age of the
purse, although not always conclusively. However, with a little practical
experience and study, one should be able to distinguish the different eras
rather easily. There are evident attributes that are apparent when inspecting an
· The appearance of the weave is so much finer than that
of machine made;
· The use of ornate and jeweled frames;
· The linings
were masterfully gathered about the frame's interior edge and included pockets,
matching cinched trimmings, and some had attached mirrors.
differentiate is the tapestry itself. A common error is the confusion between
the tapestry and the petit point purse. Purse dealers that pride themselves with
years of expertise have been fooled by not looking closely enough. The older
petit point (the late 1800s through the 1940s) is all hand stitched; the older
tapestry is hand woven, likely on a loom. For the most part, the newer petit
point of more recent decades is machine made, as is the newer tapestry from the
1930s and 1940s. However, if you want to spend many thousands of dollars on a
new hand stitched petit point purse, a few Austrian artisans are still today
spending months making them by hand, but you will travel to Austria to acquire
Whether hand or machine woven, imported French tapestry handbags are
considered premium and are cherished by today's collectors. Prices range widely;
you will dig deep into your pocketbook to acquire an Aubusson. An awesome
example in superior condition will be priced well into the hundreds of dollars
and upwards to a thousand. The better French examples from the '30s and '40s can
be obtained for far less, although there aren't many great ones around to be
found. Of course, condition is everything when considering a purchase. Buying
the best you can afford is the better choice. Investment quality purses will
always maintain and continue to grow in value. If you can't afford the best that
is available, save up, because the bitterness of poor quality remains long after
the sweetness of a low price is forgotten.
Carol Dubilo is the
owner of Antiques Off Broadway (www.antiquepeek.com) and Purse Street
(www.pursestreet.com) in Chicopee, Massachusetts. She can be contacted at
413-592-4489 or email@example.com.
Photos provided by: Tri-State
Antiques, 47 W. Pike, Canonsburg, PA 15317, 724-745-9116,
and Kakki Smith,
A figural Aubusson purse
showing a romantic couple
enjoying a picnic in
the park. A castle is in the background.
(Photo: Tri-State Antique
A playful cherub observes an
18th c. couple in an embrace on
this ca. 1900
Aubusson purse that
has held its brilliant color. The brass frame has enamel
work and bezel set stones. The reverse shows a lake and stream surrounded by
woods; $1,000. (Photo: from the collection of Kakki Smith.)
A figural micro-petit point purse with a filigreed and jeweled frame. (Photo:
Tri-State Antique Center.
French tapestry purse, woven in the 1930s. (Photo: Carol Dubilo)
Hand stitched petit point purse, ca. 1930. Inset shows petit
stitching. (Photo: Carol Dubilo)
This circa 1900 Aubusson purse features a courting couple attended by a
cherub in the garden. The back shows a castle; $1,200.
(Photo: from the
of Kakki Smith.)