Framer's
Spotlight:
Moonshine Framing in Penzance, EnglandBy Mike McLeod
In southwest England in the region known as
Cornwall is the delightful, centuries-old town of Penzance. Heard of Gilbert and
Sullivan's play, The Pirates of Penzance? This is its namesake.
Wandering among the narrow streets loaded
with shops and dotted with 300-year-old pubs, you might run across Moonshine Framing at 1
High Street. Kev Parkyn is the owner of this unique business that, in addition to quality
framing, offers one-hour framing services.
One-hour framing?
"Best thing we ever did!"
exclaims Parkyn.
As far as he knows, there are no other
framers in Cornwall offering this service. Consequently, it is a great promotional tool,
and the word-of-mouth publicity is priceless. "Everyone knows the 'one-hour framer in
Penzance,'" Parkyn smiles.
To other shop owners thinking about
offering a one-hour framing service, Parkyn cautions that staff must be well trained and
kept current on what moulding and mat is in stock. "Most standard jobs (mount, frame
in a factory-finished moulding, glass and innards) are easily completed in 10 to 15
minutes anyway. But it is vital that the sales staff know the framing procedures and
sticks to realistic specifications."
An added benefit of a one-hour service is
the customer usually browses the shop while waiting and picks up an impulse item. "A
bit of 'gravy' on the top," is how Parkyn sees it.
To accomplish the one-hour jobs on time,
Parkyn employs three framers working in a production cycle rather than each person
carrying a project through a production line. One framer handles the mat cutting, another
cuts glass and backings, and the person with "the strongest leg" mans the Morso
and the underpinner.
"The mat cutter pencils the
measurement on the back, then it goes to the framer who cuts a rim to that size, then to
the glazier who cuts backing, glass and undermount to size. Whoever is free is the frame
assembler/finisher."
With a couple of minutes per stage of
operation and five minutes for clean-up and seal, the job is done in an hour or less.
To prevent being inundated with one-hour
framing orders, Parkyn adds a surcharge to his unique service. Generally, it is only
requested once or twice a day. Yet, his surcharge is amazingly inexpensive.
"Currently, we charge £3 extra
(approximately $5), which seems just about right. Customers in urgent need find this quite
acceptable. It is often a great sales clincher. How often have you heard, 'I love the
picture, but I don't like the frame'? No problem!"
Parkyn relates how one of his customers is
a wedding photographer who presents clients with their framed wedding photos at the
reception. To do this, the photographer delivers his film from the wedding to a one-hour
photolab and calls or text messages frame orders (for standard size frames and mounts) to
Moonshine.
"He fetches the photos in and we fit
them, seal 'em up, etc., and the bride and groom are presented with them at their wedding
party/reception! Wonderful publicity for all concerned."
Moonshine's one-hour service has served
Parkyn so well that he has never advertised or had a sale in 10 years in business.
"Our mission in to REDUCE the amount
of work we have. It's like trying to get a drink from a fire hose sometimes. In the next
town, St. Ives, our main supplier delivers to 42 picture framers! There are eight framers
in our town, and every one of us is swamped with work."
Moonshine makes 15,000 framer per year, 30
to 75 per day. Much of this good fortune is due to the location. West Cornwall is famous
for the "light" favored by artists' colonies, and several have sprung up in the
region.
"This corner of the UK is a place
where almost everyone has a paintbox and some brushes. Everyone's home seems to have an
original or two on the wall. And we are surrounded by galleries. It is perhaps the only
place in the UK where parents actually encourage their kids to go to art college instead
of into dentistry or the law."
When Parkyn first started framing, he
secured a Larson-Juhl framing manual and applied many of its retail methods, after
combining them with British frame-making procedures. "A brilliant mix, everything
works perfectly, and the opposition still hasn't figured out why we get all the work in
town all the time."
Now the really important question: why did
Parkyn name his shop Moonshine Framing? It seems a little out of character with a proper
British shop.
Parkyn explains that the first employees he
hired were all youngsters who "partied late and thus slept in." To give them a
chance to get to work on time, he opened late and worked late.
"Incredibly, it worked! We will
frequently work 24/7 (or at least into the moonlit hours) when busy, and then 'slob out'
as best we can when it is quiet. Our frames turn up like the old moonshine used to,
overnight, and no one knows where they came from. When we are busy, we have six people
working here, three on early shifts (daytime) and three on late shifts. In winter, we
downshift to three people working."
Parkyn considers the one-hour service an
outstanding addition to his business with very few drawbacks. It is rarely exploited as a
marketing tool and best of all, customers do the advertising for you.
Our thanks to Kev Parkyn and Moonshine
Framing, located at 1 High Street, Penzance, Cornwall TR18 9HT, or visit at www.frames.uk.com. |

Moonshine Framing by
night - one of their 24/7 weeks.


2 Photos Above: Uri
Geller-themed limited edition Poole pottery plate sandwiched between the front and back
glass. An acid-free circular mount cut for the front and a smaller aperture matching mat
for the back (this hid the 'innards' of the frame). "In effect, we actually build the
frame around the plate."

Moonshine Framing,
Penzance.
Do you have an
interesting story to tell? If so, you could be featured in an upcoming "Framer's
Spotlight." These stories are suitable for framing! For details, call Ken Hall
toll-free at 1-888-388-7827.
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