Customize Frames with Decals and Transfers

By DiAnna Tindell

There are many ways to duplicate the decals, transfers, designs, patterns and other distinguishing marks of an object onto a picture frame. After much trial and error, we have found that state-of-the-art technology provides us with the flexibility to customize a picture frame in such a way.

Using the right type equipment, the possibilities for customizing a picture frame with images matching another object are endless. And just think how customized frames could enhance any interior decorating plan!

The design on an object will often be delicate and complex in detail. The skill needed to duplicate such detail by hand can sometimes present too great a challenge. But with the aid of a digital camera or by an actual scanning of an object, a complicated design can more easily and quickly be duplicated.

Once sized and placed on special types of decal paper, a detailed design can be readied for placement on the surface of a frame in a way that will provide a more exact image than perhaps an accomplished restorer could achieve through hand-painting efforts alone.

To offer a brief background of transfers, the printing process began about 1756 and was developed by John Sadler and Guy Green of Liverpool, England, to be used on porcelain. It was also adopted by Josiah Wedgwood, who used it on his own ivory based "Creamware".

Transfer printing is the process by which a pattern or design is etched onto a copper or other metal plate. The plate is then inked and the pattern is "transferred" to a special tissue. The inked tissue is then applied to the object to be fired again. "Underprinting" was developed later as the first transfers could easily wear off. Additionally, another technique called "clobbering" was done as a combination of transfer and hand-painting by an artisan.

If you study the detail on a transferware pattern with the aid of a jeweler's loop, you can often see the tiny dots that make up these images. To reproduce the same image by hand, it would be necessary to duplicate the exact pattern of the tiny dots. This is a slow and tedious process.

With the new decal capability, which allows us to copy a desired area of an object, the duplication of an image as a decal copy can be applied to the blank area(s) of most picture frame surface types.

If the restoration of background colorations have been airbrushed on nicely and any other surface preps accomplished correctly, a decal copy can also be layered on that existing surface as well. Some fixatives may require an additional top coating, along with possible gloss or dull glazing, as a final finish over the decal area.

So what if you don't have the detail of the transfer readily available from any like object? If that object is documented collectible and photographed well within a book, there is still hope. An image as small as a postage stamp can be scanned from a photo source within a reference book or other source.

This scan can then be worked within various computer art/photo software programs to customize use for a much needed decal. This decal can then be placed on the frame surface of a work in progress.

The processing described thus far doesn't begin to describe the many uses for this type of technological breakthrough. This process is flexible and can be used to transfer any number of images onto many different surface types.

Decals are not limited to just frame types such as porcelain, glass, wood or metal. Special decal papers come in a variety of types, like high gloss clear, matte and white, to name a few. There are also transfer patterns that can be customized or pre-formatted in gold leaf or other leaf colorations.

Some challenges unique to decals relate to the size of the image needed, the curve of the surface, the need for exact linear alignment, metallic design and level of mirrored surface. Special looks can be achieved with such mixed mediums by additional hand painting and/or airbrushing over the applied decal.

Sometimes the decal can serve as a stencil guide for a more complicated hand painting project. This technology also provides numerous opportunities for "fun" projects, since any image can be projected on the decal paper and placed on almost any object.


DiAnna Tindell is a master restoration specialist and founder of Tindell's Restoration Schools in Nashville, TN. Inquiry for conservation or restoration resources and more details about this article, please visit the website: www.TindellsRestorationSchools.com. Send mail to: P.O. Box 292633, Nashville, TN 37229-2633. 

 

DiAnna Tindell

Crown Derby pieces as sample objects to both scan and digital photo to transfer on a blank frame.

Designs can be scanned from a book, enlarged and distressed to appear old on this white platter.

Blank frame with printed samples to compare and consider as decal transfer.

Frame with applied design transfer to match Crown Derby.

 

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