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Considering most of us have lifelong experiences of loving animals, it's
surprising there is no art category designated especially for them.
That
motivated me to research and write an article about animals in art. This month's
piece will feature horses, cows, dogs and cats. Next month, we'll look at wild
animals, birds, fish and fowl.
Let's start with the horse which, it seems,
has enjoyed the lion's share of attention from artists past and present. Horses
filled important functions in ancient civilizations and were also admired for
their beauty. That's true today as well.
A superb example from the distant
past is the bronze sculpture, Flying Horse, done by Lei Dai, of the Gansu
Province of China, Han dynasty, 2nd century (from Art Forms, Longman Publ. NY,
1999).
Other sculptures of majestic horses, some mounted by famous men, can
be viewed in many cities. The Emperor Marcus Aurelius, atop a bronze horse,
dominates Rome's Capitoline Hill.
Other art forms have also featured the
horse. A 16th century engraving by Albrecht Dürer -- The Knight, Death and the
Devil -- is noted for its complex rendering of the titled scene.
As for
paintings, a long list of artists have memorialized the horse. One is George
Stubbs (1724-1806). In her book The History of Painting (Dorling Kindersley,
N.Y., 1994), Sister Wendy Beckett writes that Stubbs' 1762 painting Mares and
Foals presents "a tender view of nature at its most inspiring."
Rose
Bonheur's mid-18th century work, The Horse Fair, is a realist painting by an
artist who won many awards despite the challenge of competing in a
male-dominated profession.
I must also mention art featuring the horse in a
sporting role. Paul Gauguin's Riders on the Beach (1902) and Edgar Degas'
Jockeys Before the Race (1878-79) are examples.
Next we consider the lowly
cow. The cow had been all but invisible in art until a Dutch artist, Constant
Tryon (1810-1865), motivated by cows he'd seen in landscapes, began to feature
them. His 1856 work, Cows Grazing, stimulated others and they became popular art
subjects in households.
In modern times, folk artists such as Grandma Moses
have used cows in their artistic endeavors.
Let's move on now to man's best
friend, the dog. Dogs were the first animals ever to be domesticated. Since
then, their popularity with humans has never waned. In art, dogs first appeared
in landscapes and genre scenes such as Joseph Turner's Mortlake Terrace (1826),
but rarely were the focus of a painting.
An English painter, Sir Edwin
Landseer (1802-73), popularized animals both wild and domestic. For A
Distinguished Member of the Humane Society (c. 1838), Landseer received a Grand
Medal of Honor from the Salon of 1855.
Artforms (Addison Wesley Educational
Publishers, Inc., 1999) reproduced a picture by an Italian painter, Giacomo
Balla (1871-1958), known as the founder of futurism. The painting, Dynamism of a
Dog on a Leash (1959), is one in which "movement is suggested through rhythmic
repetition."
The Totteridge Eleven, painted by Arthur Wardle in 1897, shows
eleven fox terriers posed in the English kennel that bred them. (Encyclopedia of
Collectibles, Mario Buatta, Time-Life Books, 1978).
Cats happen to be my
favorite domestic animal. Thus, I was disappointed that they were practically
missing in my references. I did find a cat painting by Suzanne Valadon, mother
of the artist Maurice Utrillo. Titled Les Deux Chats, it would charm any cat
lover.
And Theophile Steinlen's Tournee du Chat Noir (1896), contains nearly
a hundred photos and some pencil sketches of cats, along with anecdotes and
general information about them.
Another example is Elizabeth Coatsworth's The
Cat Who Went to Heaven (The Macmillan Co. N.Y., 1930). In it, the lovely
drawings of a cat and other creatures featured in the text are the work of the
noted illustrator, Lynd Ward.
In addition to art, photography and sculpture,
these animals have had their forms designed into jewelry, printed on cloth and
fashioned into decorative objects -- toys, dishes, pillows, etc. And they all
have been stars in the movies.
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The Horse Fair, by Rose Bonheur (18th century).

Riders on the Beach, by Paul Gauguin (1902).

A Distinguished Member of the Humane Society,
by Edwin Landseer
(1838).

Cows Grazing, by Constant Tryon (1856). |