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Original Illustrations Still Affordable, Available
By Anne Gilbert
Compared to other categories of art, original illustrator art is still under
priced, but going up in value. Prices for the masters, such as Norman Rockwell
and Joseph Leyendecker, are exceptions and can cost from the high thousands to
over a million dollars. However, there are illustrators whose names are less
familiar, but who are being discovered by a new generation of
collectors.
Aside from price, what makes original illustrations so attractive
to a growing group of collectors? Walt Reed, illustrator, historian and founder
of Illustration House where original illustrations are sold in the gallery or at
their auctions, believes much of the appeal is that "There is something for
every taste, from sci-fi and automobile designs to comic strips and calendar
girls. Since illustrators work in a variety of mediums, there are oil paintings,
watercolors and pen and ink, to name a few."
The many charming illustrations
of children and infants would be perfect nursery art. For the car aficionado,
there are auto designs. In the catalogue for the Illustration House Porch
Auction, values ranged from the low hundreds to $9,000, offering good
opportunities for beginning collectors.
According to Reed, there have always
been a small group of private collectors building collections since World War
II. "They are the ones who now have museum quality collections of the early
illustrators such as Howard Pyle, N.A. (1853-1911). So do the museums, such as
the Delaware Art Museum, The Brandywine River Museum and the Norman Rockwell
Museum, as well as the Metropolitan Museum of Art. As Reed pointed out, "Young
collectors are showing up at auctions where they can still find pen and ink
sketches by fine, early illustrators for under a thousand dollars, and pencil
sketches for even less."
CLUES: Illustration House holds regular auctions
twice a year featuring moderate to expensive illustration art. The Porch
Auction, twice yearly, features less expensive examples, some with minor
damage.
Did you know that Paul Revere and Amos Doolittle are among our first
American illustrators? Revere's famous engraving depicting the Boston Massacre
goes for top dollar when examples come to auction. George Catlin (1796-1872) not
only painted various American Indian chiefs, he then turned them into
lithographs, hand painted. They can sell for several thousand dollars and have
been reproduced. Considered the father of American illustration is Howard Pyle
who founded the Brandywine School of Art in Delaware. Among his students were
other famous illustrators, including Newell Convers Wyeth, Harvey Dunn and Frank
Schoonover. These days, if they come to market, their work commands thousands of
dollars.
Before his death, Norman Rockwell noted that, "There have been
disadvantages to being an illustrator. Many who consider themselves serious
painters look down their noses at us. We paint for money, against deadlines, our
subject matter often prescribed by an editor."
You could say that Rockwell
and other illustrators are having the last laugh. Their oil paintings, made as
magazine illustrations, often cost as much or more than so-called fine art. To
learn more about American illustrators and their art, read The Illustrator in
America by Walt Reed. Illustration House auction catalogues are a good way to
keep track of prices.
For information contact: Roger Reed, President,
Illustration House, 110 West 25 Street, New York, NY 10001. (212) 966-9444.
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Calendar illustration, "Toddlers", oil on board, signed Charlotte Becker
(1907-1984). (Photos, courtesy Illustration House.)

Illustration, watercolor, gouache and pencil, "Gypsy Girl with Tambourine",
c. 1920s, signed Willy Pogany (1882-1955). |